Saturday, May 30, 2009
Interruption: The Gospel According to Crystal Justine
by Tracey Michae'l Lewis
PO Box 52545
Philadelphia, Pennsylvania 19115
Here's the Blurb:
Interruption: The Gospel According to Crystal Justine is a fascinating journey through the life of Crystal Justine (CJ), a young woman who has, for most of her life, been compared to her mother, Sasha Renee, in both the best and the worst ways. Even as she struggles to escape the image and legacy of this enigma of a woman, she finds herself unconsciously acting out her mother's (and grandmother's) past mistakes. Her relationships with men, although few and far between, has been tainted by "the thing she cannot say" and her faith has been weakened by the emotional and spiritual blows her life has taken. This dynamic story of deliverance keeps readers, page by page, on the edge of their proverbial seats, wondering if CJ will simply succumb to the darkness that has chased her soul for as long as she could remember or if she will be the one to finally put an end to the generational curse that has tried to consume her family. Will she find true love, joy, and peace for the first time?
Here's a post at theotalks
JUNE 13th @ 4pm - Book Release and Signing Extravaganza - CLC Bookstore - Chestnut Hill, 7700 Crittenden Street, Philadelphia, PA 19118
JUNE 20TH @ 11am - Book Signing at the African American Museum in Philadelphia - 701 Arch Street, Philadelphia, PA 19106
You can buy it at amazon here
Wednesday, May 27, 2009
Simon J. Ortiz: A Poetic Legacy of Indigenous Continuance
Publisher: University of New Mexico Press
Publication Date: 5/31/2009
Paperback: 440 pages
Physical Info: 6.00 x 1.10 x 9.00 inches, (1.30 lbs)
Categories: Native American | American - General
LC Subjects: Ortiz, Simon J. - C
Here's the blurb:
Simon J. Ortiz is widely regarded as one of the literary giants of the twentieth and twenty-first centuries with more than two dozen volumes of poetry, prose fiction, children's literature, and nonfiction work to his credit and his being anthologized around the world. This edited volume is devoted to the depth and range of Ortiz's contribution to contemporary Native American literature and literary scholarship.
Including interviews with Ortiz, short creative nonfiction essays by Native women writers and scholars, and innovative critical discussions by a dozen scholars of Native literatures, the volume shows his role in the development of cultural studies and Native American literatures on a number of fronts, garnering tribal, regional, national, hemispheric, and global levels of awareness and appreciation. The range of scholarship herein sheds light on the larger historical, cultural, and political factors that have shaped Native writing over the last four decades.
This volume reveals the insights and aesthetics of Ortiz's indigenous lens, which provides invaluable contributions to literary studies that turn to the postcolonial, the ecocritical, the globally indigenous and comparative as indigenous geographies of belonging are found to inform an aesthetics of inclusion and authenticity.
Elizabeth Ammons, Tufts University (Boston)
Elizabeth Archuleta (Yaqui), Arizona State University
Esther Belin, Durango, Colorado
Jeff Berglund, Northern Arizona University (Flagstaff)
Kimberly Blaeser (Chippewa), University of Wisconsin (Milwaukee)
Gregory Cajete (Tewa), University of New Mexico
Sophia Cantave, Boston
David Dunaway, University of New Mexico (Albuquerque)
Roger Dunsmore, University of Montana (retired)
Lawrence Evers, University of Arizona
Gwen Westerman Griffin (Sisseton Wahpeton Dakota Oyate), Minnesota State University (Mankato)
Joy Harjo (Mvskoke), Honolulu
Geary Hobson (Cherokee, Arkansas Quapaw), University of Oklahoma
David L. Moore, University of Montana
Debbie Reese (Nambé Pueblo), University of Illinois
Kimberly Roppolo (Cherokee, Choctaw, and Creek), University of Oklahoma
Ralph Salisbury, University of Oregon (retired)
Kathryn W. Shanley (Assiniboine), University of Montana
Leslie Marmon Silko (Laguna Pueblo), Tucson
Sean Kicummah Teuton (Cherokee), University of Wisconsin (Madison)
Laura Tohe (Diné), Arizona State University
Robert Warrior (Osage), University of Illinois (Urbana-Champaign)
About the Author
Susan Berry Brill de Ramírez, Caterpillar Inc. Professor of English at Bradley University, is also the author of Contemporary American Indian Literatures and the Oral Tradition, and Wittgenstein and Critical Theory.
Evelina Zuni Lucero (Isleta/Ohkay Owingeh Pueblo) is chair of the creative writing department at the Institute of American Indian Arts in Santa Fe, New Mexico. She is the author of the novel Night Sky, Morning Star.
Here's the waterstones bookseller UK website
Here's the amazon site
Here's the press release
Tuesday, May 26, 2009
by Cindy Pon
Reading level: Young Adult
Hardcover: 352 pages
Publisher: HarperTeen; 1 edition (April 28, 2009)
Here's the blurb:
No one wanted Ai Ling. And deep down she is relieved—despite the dishonor she has brought upon her family—to be unbetrothed and free, not some stranger's subservient bride banished to the inner quarters.
But now, something is after her. Something terrifying—a force she cannot comprehend. And as pieces of the puzzle start to fit together, Ai Ling begins to understand that her journey to the Palace of Fragrant Dreams isn't only a quest to find her beloved father but a venture with stakes larger than she could have imagined.
Bravery, intelligence, the will to fight and fight hard . . . she will need all of these things. Just as she will need the new and mysterious power growing within her. She will also need help.
It is Chen Yong who finds her partly submerged and barely breathing at the edge of a deep lake. There is something of unspeakable evil trying to drag her under. On a quest of his own, Chen Yong offers that help . . . and perhaps more.
Here's a Review on Epic India
This is the author's blog
Here's the amazon link
Monday, May 11, 2009
Saw a little Chinese indie flick called Blind Shaft. adapted from novelist Liu Qingbang's best seller and Laoshe Literature Prize winner of 2002, "Shen mu" (Sacred wood).
It's about two guys who sing up to work at coal mines where the owner of the coal mine promises a large insurance to relatives if someone dies. So they get innocent people to work with them, claiming the innocent victim-to-be as a relative. They've just murdered someone and now they're looking for a new person. They find this newby a little 16 year old kid who has come from the country who needs work in order to continue schooling and to care for his family. The kid's dad went off to work and didn't return. The kid is standing around the daylaborers looking all forlorn and green and they know they have their next victim. They say to the kid, "Well, we got an in with a job but you have to say you're his nephew." The kid agrees. He's 16 but will pretend to be 18. So they sign up. But the guy who's pretending to be his uncle starts feeling guilty. First, the kid is sweet and he's kinda bonding with the kid. Second, the kid looks a lot like a guy they killed. (Could they have killed the kid's father?)
So the guy pretending to be the uncle starts trying to not kill the kid. He says "Well, he's the last man in the family. His line will die off." His consciousless parner says, "So what?" He says, "I just feel weird about it." Then he says, "We can't kill him because he hasn't had sex yet." So they pretty much trap the kid to sleep with some prostitute. Lots of them around...and the film is basically talking about how capitalism has ruined the country.Then he says, the kid can't die because he's never had a drink. So they force the kid to drink. Meanwhile everyone in the camp is totally amazed at how much this "uncle" cares for his "nephew."
After a while the conscience-less baddie gets impatient and in the mine he picks up a rock. He throws it at his partner, the uncle. And knocks him down. Then he begins to aim at the kid but his partner rises up and hits him with the pick. Then both fall down. The kid is so shocked at these events he races out of the shaft. Everyone thinks -- of course-- that there's been an accident in the mine. The kid is then forced to sign the contract giving him $30,000 for the death of his "uncle." He's an honest kid who hems and haws so much everyone thinks he loved his uncle sooo much. But in the end he takes it. Last scene is kid standing in front of the incineration place where body is being incinerated and kid looking weirdly confused. Very fun. I sat through this flick biting my nails fearing it would have a bad outcome but it was sooo neat to be so surprised.
I like good social commentary foreign heist flicks.
Thursday, May 7, 2009
BTW, if you know anyone who wants to read a Bible study, my Bible study has been up at Lulu for almost a year. I haven't been promoting it though...but now Lulu has a contest...so.... pass the info along to any who might be interested.
Basics in Bible Study by Carole McDonnell